Must-see films from across the world that are essential viewing for any self-respecting cineaste.
ONE FLEW OVER THE CUCKOO’S NEST (18)
“★★★★★ – a masterpiece of dramatic naturalism” – Empire. Scooping the ‘big five’ awards at the 1976 Oscars – including Best Picture, Best Director and Best Leading Actor – Miloš Forman’s adaptation of Ken Kesey’s 1962 novel features an electrifying performance from Jack Nicholson. Set in a 1960s mental institution, the film is a powerful and moving study of the moral battle between the ‘system’ and the individual.
“A near-perfect work” – Guardian. It’s only fitting ahead of the 2021 BAFTAs this Sunday that we recommend one of the greatest British films of all time. Winner of Best British Film at the BAFTAs in 1950, Carol Reed’s noir masterpiece about a writer investigating a friend’s mysterious death retains a magnetism that brilliantly encapsulates the power of cinema.
★★★★ – Empire. Antonio Banderas delivers a career-best performance as an ageing film director, wrestling with his mortality and confronting the ghosts of his life. Pedro Almodóvar’s deeply personal, semi-autobiographical drama is “bittersweet perfection” (The Guardian).
★★★★ – Empire. Master-chef Chu is semi-retired and lives in Taiwan with his three unmarried daughters, where life at home revolves heavily around preparing and eating an elaborate dinner every Sunday. Oscar-winning director Ang Lee’s (Life of Pi; Crouching Tiger, Hidden Dragon) delicious family drama is a masterful study of family dynamics and how food can connect generations.
“★★★★★ – Basketball doc slam-dunks the power of hope” – Guardian. Steve James’s acclaimed, landmark film follows a pair of Chicago teenagers over the the course of five years as they tackle social and physical barriers on their quest to become NBA stars. Causing a sensation on its release in 1994, this undisputed epic is an essential study of race, class, and the ‘American Dream’.
“★★★★★ – compelling” – Guardian. Winner of the 2015 Oscar for Best Foreign Language Film, Pawel Pawlikowski’s drama is essential viewing. Poland, 1962, and Ida – a novice nun about to take her vows – learns of her last living relative and her Jewish heritage. Reunited with her previously unknown aunt, the pair begin to uncover their past, leaving Ida with a choice between her heritage and the religion that saved her from the Holocaust.
★★★★★ – Independent. Not just one of this year’s best films, but one of the best films you’re ever likely to see, period. This masterfully told story of forbidden love between a painter and her subject – the betrothed daughter of a countess – is utterly compelling, with what is sure to be considered one of the greatest final shots in the history of cinema.
★★★★★ – Guardian. Marina (Daniela Vega), a young trans woman in Santiago, has her life thrown into turmoil by the sudden death of her boyfriend, who is twenty years her senior. Grieving for her lover, she finds herself shunned by his family and under intense scrutiny from those with no regard for her privacy. Sebastián Lelio’s Oscar-winning drama is a sublime study of love and loss.
“★★★★ – masterful” – Guardian. Christian Petzold’s (Barbara) suspenseful study of identity, betrayal and survival is an outright masterpiece. Former cabaret singer and Auschwitz survivor Nelly (Nina Hoss) – her face disfigured and reconstructed – returns to Berlin. When her estranged husband fails to recognise her, she becomes embroiled in his plot to claim his wife’s inheritance. Could he be the one who betrayed her to the Nazis?
“★★★★★ – unravels with intelligence, biting wit and a real sense of playful ambiguity” – Empire. Nominated for nine Oscars, Orson Welles’ masterpiece is frequently voted one of the best films ever made. When newspaper tycoon Charles Foster Kane (Welles) dies, his final word – rosebud – sets reporters scrambling to uncover its meaning.
★★★★★ – Guardian. South Carolina, 1902. Three generations of women from the same family grapple with the decision to migrate north, leaving behind the Gullah culture they inherited from their West African slave ancestors. An avowed influence on Beyoncé’s album ‘Lemonade’, Julie Dash’s masterpiece broke new ground in its representation of black women on screen, and is a luminous, vital portrait of black life.
★★★★★ – Guardian. Gorgeous and heart-breaking, Barry Jenkins’ Moonlight scooped the Oscar for Best Picture against the odds, and should be regarded for its beauty and power rather than that La La Land blunder. Split into three chapters, the film follows the life of Chiron – a young black man growing up in Miami – through childhood, adolescence, and adulthood as he struggles with his sexuality.